Tag Archives: spotlight productions

Here is ‘All For The Best’ from Spotlight Productions 1994 version of Godspell.

From Premier Productions acclaimed production of ‘The Little Shop Of Horrors’ here is the opening number from the show.

From Spotlight Productions 1994 production of ‘Godspell’ here is ‘God Save The People’. Directed by Gary Power, Choreography by Michelle Condon

Hazel Kelly (Tebay) leads the troops in ‘Turn Back O Man’ from Godspell way back in 1994.

This from Spotlight Productions 1993 production of ‘The Little Shop Of Horrors’ directed by Denny Corcoran.

The European Premier of ‘Fame’ took place in the Theatre Royal in the winter of 1992.  It was probably not the best show ever to grace the Theatre Royal stage, but if it achieved anything – it started another group of youngsters on the road to producing musical theatre. Spotlight became Premier Productions, and the rest is history… but for …

Godspell was the production of choice for Spotlight Productions (before they re-named to Premier Productions the following year). It was a riot of colour and energy, directed by Gary Power and Choreography by Michelle Condon. Here’s a short snippet from ‘We Beseech Thee’ – with a lot of young and familiar heads in it

It doesn’t seem like 25 years since Spotlight Productions put ‘The Little Shop Of Horrors’ on the stage. Featuring an absolute embarrassment of riches in the cast, many of whom went on to be directors, choreographers and brilliant performers in professional careers – but all were very very young in this one. So – back to 1993 we go and …

Back in 1993 produced ‘Little Shop Of Horrors’ under the direction of Denny Corcoran. It was a huge success with many of the cast and crew going on to become a who’s who of Waterford Theatre for the next 20 years. This is a video of Davy Sutton running around backstage having a chat with everyone and some side footage …

In 1995 Spotlight Productions became Premier Productions and produced the iconic ‘West Side Story’. At the time it had a who’s who of emerging young talent, many of whom still thread the boards. Directed by Gary Power and Choreographed by Michelle Condon. It had (and I stand to be corrected) one of the largest Orchestras in the modern history of …